Friday, December 7, 2012

Two Years! (Part One: Four Original Goals)


Well, actually, two years and a week… on December 1st, 2012, I hit the two-year mark with the No MFA Project (which, in theory, means it's completed, since a typical MFA program is two years long.)

I’m willing to argue that in the past two years and one week, I’ve made as much progress as I would have if I’d been in an MFA program – if not more.

I want to look waaay back at the four key goals I set for myself in December 2010 to see how I’ve stacked up.

  1. LEARN FILMMAKING SKILLS. 
Done! Nowadays, if you’re aspiring to be a screenwriter, this is essential - you need a calling card. Top dramatic writing MFA programs agree, which is why they give screenwriting students the option to take filmmaking courses and require short films (often by partnering them with film students) to be completed before graduation.

I learned about filmmaking in a course at the Digital Film Academy that cost $3,000. An added bonus was being able to use their film equipment for free for the next year. I used it for paid film gigs and personal projects alike.

I had hoped to finish a short film in the first year of the No MFA Project, which didn’t happen, because I did need at least minimal training first. Once I took this inexpensive and fabulous class, I completed two shorts within the second year of my self-made program.

  1. CONNECTIONS WITH ALUMNI AND OTHER INDUSTRY PROFESSIONALS.
Even people who think school is stupid will often cave and apply when they decide they need an alumni network to get ahead in life.

What I found is that, just by attending networking events and taking several one-off courses, I’ve amassed a network that’s as helpful if not more so than what I would have expected of an MFA program. I hold an MA in publishing – and after $50k left that school without any real community to speak of. I now have passionate people wanting to collaborate on projects and move our careers forward. Earlier today, I attended a table reading of a sizzle reel for a TV series. (I wrote the sizzle reel script.) A producer I met through the DFA created the series and is working to get it picked up by a network. He brought me onto the project as lead writer.

  1. PITCHING SCRIPTS.
This was something the Tisch MFA career center claimed to do for students.

Granted, the school has connections, but isn’t the best person to present your idea you? I tried to get practice doing this by attending the Screenwriter’s World Conference last January and pitching to different production and management companies. Four out of four went ahead and requested my screenplays, so I’m confident in my pitching skills. (I’ve been planning to do a post on how to pitch for a long while, and promise it’s coming soon!)

  1. SHEER TIME TO WRITE/COMPLETE PROJECTS.
A huge plus of going back to school is that your time will be devoted to writing and not sucked away by a crappy job. In my first year doing No MFA, I completed one screenplay while also working full-time. Things sped up in the second year when I left that job. I’ve now completed a second screenplay, a novella, a bunch of articles and short scripts, and a major revision of a screenplay I’d written years earlier. (Also, the two short films.) Yes, I had to quit my job to get all that done… but I would have had to quit to do an MFA anyway, and then I would have been buying time - literally.

This past week, I was offered a job at a cool film, art, and fashion publishing house. I’m grappling with whether or not to take it since, now that I’m doing so much writing, I don’t want to screw it up by having to re-adjust to a fifty-hour work week and, essentially, be too exhausted to write. (Of course, it would be nice to have the extra income for buying film equipment, since my DFA membership will expire in two and a half months!)

More on this crossroads to come, but if I do wind up taking the job, that ‘sheer time’ element will be out of my equation, and I’ll be blogging on how to strike a balance between pursuing a creative career and having a day job.

Check back soon for Part Two of this post, where I’ll talk about the No MFA Project’s greatest successes and failures, what I would have done differently, and what’s yet to be accomplished!

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